The New Ground Theatre Dance Company
an Arts Unity Movement Production
Notre Dame De Namur University Theater, Belmont, CA
August 6, 2011
The New Ground Theatre Dance Company's "Terrain Project Performance" demonstrated a skillful use of narrative mechanisms. A triptych work, "Terrain Project Performance" unfolded as follows: first, a woman's medical crisis; second, the explanation of how she arrived in that situation; what her life has looked like up until that moment and what circumstances have contributed to her current existence; and third, her heroic and freeing choice that creates a new life. Artistic Director Coleen Lorenz has produced a dance theater piece that reveals how women can empower themselves to both own and determine their reality and future.
The opening scene revealed the five main characters at the beginning of their day, each going through their individual routines to ready themselves for what may lie ahead. Here we saw stylized choreography (not a post-modern pedestrian expression of daily activities) and one could see the adjectives of each character through their movements: frustration, excitement, complacency and fear. Though a small portion of "Terrain Project Performance", this introductory scene was imperative - it set up who the major players were and the emotions that they carried inside of them.
Interspersed throughout the dance were video sequences of women's faces (primarily the eyes) and audio clips of them speaking. Projected onto the back scrim, these images spoke to Lorenz's goal: to provide a glimpse and insight into another's experience, understanding and condition.
The group sections were good and the dancers at Notre Dame De Namur University are receiving excellent and varied training (many of the cast are alumni or current students). In fact, these dancers are in better stead than students from some of the big university dance programs - they are being given a comprehensive approach to movement, where all styles have equal importance: ballet, jazz, modern, partnering and contact improvisation. This is an incredible accomplishment for this department. Having said that, all university dance programs have a similar issue that has to be acknowledged, and that is the wide variance in technical level. This does not always present a problem unless the choreography in question contains quite a bit of unison work as "Terrain Project Performance" did. When placed in unison, the technical differences between the dancers becomes overly emphasized and therefore can look a little messy (legs at different heights, jumps of different clarity, etc.). Steering away from unison is a better plan.